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But getting traction with what could be seen as a gimmick is challenging. Shows like “Murder One” or “Twin Peaks” lasted two seasons each with a single-case formula “24" lasted eight seasons confining its entire narrative to a single day.
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On the other hand, that meant - by her own rules - she could cover just one day each episode. Sud’s first season of 13 episodes, which wraps up on Sunday, meant she could spend 13 shows on a single investigation. That’s what she got, for better or for worse. “I was looking to do something that examined the price of a life and the profound effect it had on a victim’s family over the long term, as well as the effect it had on the detectives and the larger fallout for a city in the middle of a major election.” “On so many shows, there’s a murder a week - that’s a kind of pornography,” she says.
#THE KILLING DANISH OR AMERICAN SERIES#
Show runner Veena Sud was captivated by the Danish series on which it is based (the Danish title was “Forbrydelsen,” which means “the crime”) and wanted to break from the typical American crime format in her version. The ride “The Killing” has been on since its premiere has been an unusual experience for all involved. Listen up, folks it’s going to be a slow ride, but the scenery is nice. She’s also a perfect indicator of what to expect from “The Killing” - a deliberately paced, careful examination of a single murder over a 13-episode season. In a television universe in which hardened police detectives rattle off urban patois with the incessancy of a machine gun, Sarah comes as something of a relief. All you have to do is think, and the camera will do the work for you.’ There were lots of moments where the script said, ‘Camera rolls forward focusing on Sarah’s … blah blah.’ I had to be really open to whatever was going on inside of me.” “I was told over and over again, ‘Trust the camera. “It was scary sometimes,” recalls Mireille Enos, who plays Sarah. When she first appeared in April’s pilot of AMC’s crime drama “The Killing,” she said very little: Standing in a field of untamed grasses, a spark of red hair amid the green, Sarah squinted into the distance as if trying to see through the landscape to find out just where missing teenager Rosie Larsen had gone. Sarah Linden of the Seattle Police Department is not a talker.